Grand tour: Weekend wonders across EuropeThis revised and updated edition of The New York Times 36 Hours Europe offers 130 expert itineraries to reveal the continent s brightest gems and best-kept secrets. From Renaissance splendor in Florence to Flamenco in Seville, from luxurious Lake Como to easygoing Lisbon, you ll find the antique and the cutting-edge, the renowned and the unexpected, and all distilled in neat 36-hour schedules, so you can transform your weekends into European adventures.Through ancient wonders, world capitals, and tiny places with infectious personalities, Europe packs some serious travel punches. With more than 50 countries across its length and breadth, the world s second-smallest continent makes up for size with its intricate cultures and abundant charms, boasting artistic masterpieces and architectural marvels as much as natural splendor.Features: More than 4,500 hours worth of insightful itineraries to make the most of your stay Practical recommendations for over 500 restaurants and 400 hotels Color-coded tabs and ribbons to bookmark your favorite cities in each region Nearly 800 photos Illustrations by Olimpia Zagnoli Easy-to-reference indexes Detailed city-by-city maps pinpoint every stop on your itinerary Also available: 36 Hours: USA & Canada36 Hours: Asia & Oceania36 Hours: Latin America & the Caribbean36 Hours: USA & Canada: East Coast36 Hours: USA & Canada: West Coast36 Hours: New York & Beyond36 Hours: Los Angeles & Beyond"
Symbols and emblems featured in Soviet posters of the Civil War and the 1920s gave visual meaning to the Bolshevik worldview dominated by the concept of class. Beginning in the 1930s, visual propaganda became more prescriptive, providing models for the appearance, demeanor, and conduct of the new social types, both positive and negative. The New York Times: 36 Hours Europe, 2nd Edition download ebook pdf Political art also conveyed important messages about the sacred center of the regime which evolved during the 1930s from the celebration of the heroic proletariat to the deification of Stalin. Treating propaganda images as part of a particular visual language, Bonnell shows how people 'read' them - relying on their habits of seeing and interpreting folk, religious, commercial, and political art (both before and after 1917) as well as the fine art traditions of Russia and the West. Drawing on monumental sculpture and holiday displays as well as posters, the study traces the way Soviet propaganda art shaped the mentality of the Russian people (the legacy is present even today) and was itself shaped by popular attitudes and assumptions.
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Author: Barbara Ireland
Number of Pages: 669 pages
Published Date: 14 Oct 2016
Publisher: Taschen GmbH
Publication Country: Cologne, Germany
Language: English
ISBN: 9783836540483
Download Link: Click Here
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